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	<title>Nippon Rock &#187; Live Review</title>
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	<description>Japanese Music reviews &#38; news</description>
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		<title>LITE @ Shibuya Quattro</title>
		<link>http://www.nipponrock.net/2009/11/18/lite-shibuya-quattro/</link>
		<comments>http://www.nipponrock.net/2009/11/18/lite-shibuya-quattro/#comments</comments>
		<pubDate>Wed, 18 Nov 2009 10:13:59 +0000</pubDate>
		<dc:creator>Nori</dc:creator>
				<category><![CDATA[Live Reviews]]></category>
		<category><![CDATA[LITE]]></category>
		<category><![CDATA[Live Review]]></category>
		<category><![CDATA[quattro]]></category>

		<guid isPermaLink="false">http://www.nipponrock.net/?p=390</guid>
		<description><![CDATA[At the well-known rock-venue, Quattro in Shibuya Tokyo, the experimental, instrumental post-rock band, LITE, took part in the 3-day Parabolica Jam event.  They were supported by a great line-up including tera melos, Adebisi Shank, OVERGROUND ACOUSTIC UNDERGROUND and NATSUMEN.
Playing in support of their new EP “Turns Red”, both the band and the listeners were [...]]]></description>
			<content:encoded><![CDATA[<p>At the well-known rock-venue, Quattro in Shibuya Tokyo, the experimental, instrumental post-rock band, LITE, took part in the 3-day Parabolica Jam event.  They were supported by a great line-up including tera melos, Adebisi Shank, OVERGROUND ACOUSTIC UNDERGROUND and NATSUMEN.</p>
<p>Playing in support of their new EP “Turns Red”, both the band and the listeners were psyched to be in the venue.  The new ingredient, synthesizer has spiced up their tunes, and successfully orchestrated the raging conflicts of their instrumentation into unity.</p>
<p>From the get-go, LITE demonstrated its anti-rhythmic mettle.  Jun Izawa (bass) and Akinori Yamamoto (drums) were intense, though restrained, and took control of irregular rhythms.</p>
<p>I hate when I see bands desperately making non-sense craziness to impress audience, and of course, in most of cases, they fail. Well, they indeed did not fall for it. Their rationally intense moves did not only make themselves concentrate on the show but also kept the audience engaged.</p>
<p>Though the band has no front man, preferring each of its members to be viewed as equal contributors, a non-smiling seemingly music geek Kozo Kusumoto slightly dominated the band by blessing their tunes with spooky melodies.  Not to mention, more importantly, Jun Izawa’s belligerent bass pounded on their spiral sound in a frenzy.</p>
<p><a href="http://www.flickr.com/photos/nipponrock/sets/72157622821535754/show/">Click here to see the photos from the gig,</a></p>
<p>There will be more shows coming up, and no regrets to go to.</p>
<p>2009/11/23 &#8211; ERA &#8220;SPECTRUM 5&#8243; &#8211; Tokyo, JP<br />
2009/11/24 &#8211; ERA &#8220;SPECTRUM 5&#8243; &#8211; Tokyo, JP<br />
2009/12/9 &#8211; LOOK &#8211; Chiba, JP<br />
2009/12/13 &#8211; CLUB ROCK’N’ROLL &#8211; Nagoya, JP<br />
2010/1/9 &#8211; CLUB RIVERST &#8211; Niigata, JP<br />
2010/1/10 &#8211; LIVE HOUSE J &#8211; Nagano, JP<br />
2010/1/11 &#8211; FANDANGO &#8211; Osaka, JP<br />
2010/1/16 &#8211; BIRDLAND &#8211; Sendai, JP<br />
2010/2/10 &#8211; CLUB QUATTRO &#8211; Tokyo, JP</p>
<p>LITE: <a href="http://www.myspace.com/liteband">MYSPACE</a></p>
<p><strong>The Sun Sank</strong><br />
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		<title>Live Review &amp; Interview: Shonen Knife</title>
		<link>http://www.nipponrock.net/2009/10/21/live-review-interview-shonen-knife/</link>
		<comments>http://www.nipponrock.net/2009/10/21/live-review-interview-shonen-knife/#comments</comments>
		<pubDate>Thu, 22 Oct 2009 03:58:58 +0000</pubDate>
		<dc:creator>Jack</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Live Reviews]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Live Review]]></category>
		<category><![CDATA[Shonen Knife]]></category>

		<guid isPermaLink="false">http://www.nipponrock.net/?p=358</guid>
		<description><![CDATA[Shonen Knife has been playing for twenty-seven years and just released their fourteenth album, Super Group.
Few bands have careers that span three decades, least of all bands with song titles like ‘Banana Chips’ and ‘Muddy Bubble Hell’.  Not only have Shonen Knife endured such a span of time, but they’ve retained the enthusiasm and energy [...]]]></description>
			<content:encoded><![CDATA[<p>Shonen Knife has been playing for twenty-seven years and just released their fourteenth album, <em>Super Group</em>.</p>
<p>Few bands have careers that span three decades, least of all bands with song titles like ‘Banana Chips’ and ‘Muddy Bubble Hell’.  Not only have Shonen Knife endured such a span of time, but they’ve retained the enthusiasm and energy of a band just starting out.  When I spoke to the group before their Toronto show at the Horseshoe Tavern, they seemed excited, rather than the slightest bit weary, to be playing thirty cities in thirty-five days during this tour.</p>
<p>The past few years have seen some line-up changes for Shonen Knife (singer Naoko Yamano is the only remaining founding-member) but it seems like they’ve settled into a cohesive unit with the addition of new bassist Ritsuko Taneda.  Naoko explains, “For this album our bassist Ritsuko joined the band and we became more like a rock band.”</p>
<p>It’s impossible not to get swept up in the enthusiasm and energy that Shonen Knife projects on stage.  In Toronto they drew from their entire catalogue, playing sparingly from the new album in order to fit in older favourites.</p>
<p>Playing fan-favourites rather than just plugging their new album isn’t a surprise from a band that is all about being fun and entertaining.  Naoko is anything but a self-indulgent songwriter and claims, “Music should be a fun thing.  I don&#8217;t want to sing about something serious like political things or something.  That&#8217;s why I pick the topics for my lyrics as cakes or candies, and sometimes animals.”</p>
<p>Shonen Knife had as much fun as anyone at the Horseshoe during their show.  Naoko jumped during guitar solos, Etsuko bounced along with her drums, and Ritsuko wore a huge grin for the entire set.  This is a band that loves to play live, and sure knows how to entertain their fans from all over the world.</p>
<p>For many groups, Japan is a large enough market to make their living, and with little financial motivation (or opportunity abroad), it is rare to see Japanese bands touring outside of their home country.  Shonen Knife is a whole other story, though.  This year alone they’ve been to Europe, Australia and North America.</p>
<p>When asked what drives them to play in the west, Naoko says, “We are influenced by American and British bands.  The music of Shonen Knife is more westernized than Japanese pop bands and our lyrics are in English.  Mainstream Japanese bands&#8217; lyrics are in Japanese and the melody line is a little bit different than western music.  They&#8217;re not so rock, but pop.”</p>
<p>Ultimately, Naoko concludes, “We want to go anywhere there are fans.  We like everywhere in the world.”</p>
<p>Flickr Photo Set: <a href="http://www.flickr.com/photos/nipponrock/sets/72157622636910008/">Shonen Knife &#8211; Live @ Horseshoe Tavern in Toronto &#8211; 2009/10/18</a></p>
<p><em>Also see: Review of Shonen Knife&#8217;s new album </em><a href="http://www.nipponrock.net/2009/09/11/review-shonen-knife-super-group/">Super Group</a>.</p>
<p><iframe align="center" src="http://www.flickr.com/slideShow/index.gne?set_id=72157622636910008" width="630" height="500" frameBorder="0" scrolling="no"></iframe><br /><center><small>Created with <a href="http://www.flickrslideshow.com">flickr slideshow</a>.</small></center></p>
<p>Shonen Knife <a href="http://www.shonenknife.net/">Website</a> | <a href="http://www.myspace.com/shonenknife">MySpace</a></p>
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